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Chytomo Picks

‘The Language of War’ by Oleksandr Mykhed: But lead us not into the temptation of forgiveness

27.08.2024 - Ihor Kotyk

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372

Chytomo Picks

The War & The Self in All Their Iterations: A Review of Halyna Kruk’s Lost in Living

09.08.2024 - Nicole Yurcaba

2454

Chytomo Picks

There is land beyond Perekop – a Crimean Bildungsroman

08.08.2024 - Ihor Kotyk

Chytomo Picks

On architecture, embroidery, and going back to one’s roots: Six new artbooks

02.08.2024 - Anastasiia Denysenko

1218

399

Chytomo Picks

Review: ‘Ukrainian Dissidents under Soviet Power’

10.07.2024 - Mark Allen Klenk

509

Arrowsmith Press

Review: ‘Nothing Bad Has Ever Happened. A Bouquet for Victoria Amelina’

03.07.2024 - Mark Allen Klenk

Books&Cartoons

Unconquered, independent, and worth visiting: How ‘unconventional authors’ portray the country in unique publishing formats

21.06.2024 - Sofiia Kotovych

2316

431

modern polish literature

Humanity’s fortitude, existential threats, and journeys of self-exploration: What’s new in Polish prose

13.06.2024 - Jurij Zawadski, Marta Falecka

619

cecil the lion had to die

‘Cecil the Lion Had to Die’: A love so great it intertwines fates

12.06.2024 - Anastasia Herasymova

Harry Potter

The war in Ukraine vs. the war in the Harry Potter world

24.05.2024 - Yanina Dyyak

8349

351

Nina Murray

Covering and uncovering then and now: A review of Nina Murray’s ‘Gannota: A Tale of Three Thimbles’

20.05.2024 - Nicole Yurcaba

1167

FICTION

The Wild, Colorful, and Fantastic Realm of the Ukrainian Imagination — A Review of ‘Embroidered Worlds: Fantastic Fiction from Ukraine and the Diaspora’

19.04.2024 - Nicole Yurcaba

Russia's crimes

Carrying on amid war: A review of ‘Women of Ukraine: Reportages from the War and Beyond’

05.04.2024 - Nicole Yurcaba

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1180

essay

Grieving a vanished Mariupol: when statues depart and myths endure

04.03.2024 - Vano Krueger

1626

Chytomo Picks

Time, the evil genius, in ‘Forgottenness’ by Tanja Maljartschuk

20.02.2024 - Anastasia Herasymova